Issues of KINEMA (Spring and Fall 2010)

Image from Paranoid Park (Gus Van Sant, 2007). Read Alessandro's Zir's article on this film for Kinema (Spring 2010)

Film Studies For Free continues with its roundup of recent offerings from online film studies journal by catching up with the last two issues posted at Kinema: a Journal for Film and Audiovisual Media.

Lots of good stuff here, but FSFF particularly enjoyed Alessandro Zir's essay on Paranoid Park, Antonio Sanna on the connections between the Alien series of films and Bram Stoker's Dracula novel, and Des O'Rawe's study of Godard's Film Socialisme.

Spring 2010

'The Art of Creative Scriptural Extrapolation [on Celil B. De Mille's films]' by Anton Karl Kozlovic
'Reproducing the Fin-de-siècle Gothic with Techno-Gothic Vampires' by Antonio Sanna
'Film, Arts and Culture as Community Outreach Tools' by Victor S. O. Yu
'Interview with Gary Tooze' by Jan Uhdeby
'Going to the Movies in Egypt' by Mustafa Mahmoud Yousry
'The Desire for History in Lars von Trier’s Europa and Theo Angelopoulos’ The Suspended Step of the Stork' by Angelos Koutsourakis
'Non-Realism and Ontology in Gus Van Sant's Paranoid Park' by Alessandro Zir

Fall 2010

'The Fraternity of Metaphors: Jean-Luc Godard's Film Socialisme' by Des O'Rawe'
'Interview with Kevin Brownlow on the Making of Winstanley' by Tony Tracy
'Targeting Alien Filmmakers in 1930s Hollywood' by J. Emmett Winn
'Woody Allen as Impossible Cassandra' by Alessandro Zir
'The Language and Genealogy of Early Spy Cinema' by Lukasz Boron
'Interview with Singapore Filmmaker Boo Junfeng' by Yvonne Ng
'The New Vicissitudes of Auteur Cinema' by Christina Stojanova

New Issue of Screening the Past

Image from The Party (Blake Edwards, 1968). Read Charles Barr's article on this film, reprinted in issue 30 of Screening the Past

Film Studies For Free rushes you news, via Adrian Martin, that not only has Screening the Past, that wonderful, A* rated, online journal of screen history, theory and criticism, posted its latest issue, but it has changed URL, and is in the process of upgrading its website.

All the new contents are listed below. FSFF hasn't read everything yet, but is enjoying STP's tributes to Blake Edwards, as well as the Open Access reprint of Chris Berry's wonderful essay China’s New “Women’s Cinema”.

First Release

• “The China Film”: Madame Chiang Kai-shek in Hollywood
• Tokens of Exchange, or The Cook, The Thief, The Wife and Lover: Marginal Asian Characters in 1920s Australian Cinema
• Working Within the System: An Interview with Gerry O’Hara
• Two Channels, Two Truths: Reporting the Iraq War in Control Room
• ‘Give It a Go You Apes’: Relations Between the Sydney and Melbourne Film Festivals, and the Early Australian Film Industry (1954–1970)

Tribute to Blake Edwards

• Introduction to Reprints of Two Essays on Blake Edwards
• Detecting, Defecting and Whistling in the Dark: The Films of Blake Edwards
• “Crazy World Full of Crazy Contradictions”, Blake Edwards’ Victor/Victoria
• On Blake Edwards
• The Bitter Essence of Blake Edwards
• Sophisticated Naturalism
• Ridicule and Panic: On Blake Edwards
• Blake Edwards, Switch, and the Price of a New Man
• Topping the Topper: Blake Edwards
• Strange Bodies: On The Great Race
• The Party
• You Can’t Keep A Good Auteur Down / Cruel To Be Kind
• The Party

Classics and Re-runs

• China’s New “Women’s Cinema”

Reviews

• Ford At Fox Part 3b
• Films by Gordon Ball (dvd review)
• Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento, Maitland McDonagh
• Irving Thalberg: Boy Wonder to Producer Prince, Mark A. Vieira
• Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier, Homay King
• Film Violence: History, Ideology, Genre, James Kendrick
• The Last Silent Picture Show: Silent Films on American Screens in the 1930s, William M. Drew
• New Korean Cinema: Breaking the Waves, Darcy Paquet
• Hidden Talent: The Emergence of Hollywood Agents, Tom Kemper
• British Culture and Society in the 1970s: The Lost Decade, Laurel Forster and Sue Harper (eds)
• Casablanca: Movies and Memory, Marc Augé (Translated and with an Afteword by Tom Conley)
• English Filming, English Writing, Jefferson Hunter
• Calling All Cars: Radio Dragnets and the Technology of Policing, Kathleen Battles
• The Francis Ford Coppola Encyclopedia, James M. Welsh, Gene D. Phillips, and Rodney F. Hill (eds)
• Béla Balázs: Early Film Theory – Visible Man and The Spirit of Film, (Edited by Erica Carter, Translated by Rodney Livingstone)
• Idols of Modernity: Movie Stars of the 1920s, Patrice Petro (ed.)
• Wake in Fright, Tina Kaufman
• Neo-Noir, Mark Bould, Kathrina Glitre, and Greg Tuck (eds.).
• Second Takes: Critical Approaches to the Film Sequel, Carolyn Jess-Cooke and Constantine Verevis (eds.)
• On Michael Haneke, Brian Price and John David Rhodes (editors)

30 Online Film Studies Books and PhD Theses from OhioLINK

Image from When Night is Falling (Patricia Rozema, 1995), a film discussed by Jamie L. Stuart

Film Studies For Free shakes itself out of an uncharacteristic, unseasonal, hot-weather related torpor to bring you one of its regular reports (and lists of links) from a University research repository. Today, it's the turn of the utterly brilliant repository at the OhioLINK ETD Center, gathering theses and books (in bold below) by film studies scholars at Ohio State University, Bowling Green State University, Ohio University, and Case Western Reserve University.

As usual, these links will be added in due course to FSFF's permanent listings of Online Film and Moving Image Studies PhD Theses and Open Access Film E-books List.

• Savas Arslan Hollywood alla Turca: A history of popular cinema in Turkey, PhD, Ohio State University, 2005

• Dyrk Ashton, Using Deleuze: The Cinema Books, Film Studies and Effect, PhD, Ohio State University, 2006

• Rihab Kassatly Bagnole, Imaging the Almeh : Transformation and Multiculturalization of the Eastern Dancer in Painting, Theatre, and Film, 1850-1950, PhD, Ohio State University, 2005

• Holly Lynn Baumgartner, Visualizing Levinas: Existence and Existents Through Mulholland Drive, Memento, and Vanilla Sky, PhD, Ohio State University, 2005

• Rebecca H. Bias, From golden age to silver screen: French Music-Hall Cinema from 1930-1950, PhD, Ohio State University, 2005

• Rose Mary Bremer, Screening gender and sexuality in contemporary Quebec film adaptation, PhD, Ohio State University, 2004

• Marie Katheryn Connelly, The films of Martin Scorsese: A critical study, PhD, Ohio State University, 1991

• Carolina Siqueira Conte, Bonds: A Theory Of Appropriation For Shakespeare’s The Merchant Of Venice Realized In Film, PhD, Ohio State University, 2005

• Stefan Hall, "You've Seen the Movie, Now Play the Game": Recoding the Cinematic in Digital Media and Virtual Culture, PhD, Ohio State University, 2011

• Cheryl Lynn Hindrichs, Lyric narrative in late modernism: Virginia Woolf, H.D., Germaine Dulac, and Walter Benjamin, PhD, Ohio State University, 2006 (available from May 19, 2011)

• Daniel O. Jones, The Soul That Thinks: Essays on Philosophy, Narrative and Symbol in the Cinema and Thought of Andrei Tarkovsky, PhD, Ohio University, 2007

• Se Young Kim, A Sociohistorical Contextual Analysis of the Use of Violence in Park Chan-wook's Vengeance Trilogy, MA thesis, Ohio State University, 2010

• Joanna Klein, Making Pictures: The Pinter Screenplays (1985)

• Yo-Hsin Cindy Liu, The Examination of the Appearance and Use of French Horn in Film Scores from 1977 to 2004, DMA Thesis, Ohio State University, 2005

• Cileine I. de Lourenco, Negotiating Africanness in national identity: studies in Brazilian and Cuban cinema, PhD, Ohio State University, 1998

• Judith Mayne, Kino and the Woman Question (1989)

• Denis Mueller, John Dewey and Documentary Narrative, PhD, Bowling Green State University, 2007

• James Phelan and Peter J. Rabinowitz (eds), Understanding Narrative (1994)

• Rob Prince, Say Hello to My Little Friend: De Palma's Scarface, Cinema Spectatorship, and the Hip Hop Gangsta as Urban Superhero, PhD, Bowling Green State University, 2009

• Barbara L. Romanczuk, Screening Zola’s women, PhD, Ohio State University, 2002

• John Edward Ryan, Ordinary people: The cinema of John Sayles, PhD, Case Western Reserve University, 1994

• Thibaut Schilt, Marginal pleasure and auteurist cinema: the sexual politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon, Ohio State University, 2005

• Lisa K. Stein, The Travel Narrative as Spin: Mitigating Charlie Chaplin's Public Persona in My Trip Abroad and "A Comedian sees the World", PhD, Ohio State University, 2005

• Jamie L. Stuart, The Business and Pleasure of Filmic Lesbians Performing Onstage, PhD, Bowling Green State University, 2006

• Joan Marie Titus, Modernism, socialist realism, and identity in the early film music of Dmitry Shostakovich, 1929-1932, PhD, Ohio State University, 2006

• Maruta Zane Vitols, From the Personal to the Public: Juris Podnieks and Latvian Documentary Cinema, PhD, Ohio State University, 2008

• Stacey A. Weber-Fève, There's no place like home: homemaking, making home, and femininity in contemporary women's filmmaking and the literature of the MÉTROPOL and the MAGHREB, PhD, Ohio State University, 2006

• Marilyn Yaquinto, Policing the World: American Mythologies and Hollywood’s Rogue Cop Character, PhD, Ohio State University, 2006

• Yi-hui Huang, An Interpretivist Study of Knowledge Provided by Seamless Digital-Synthesized Photographs, PhD, Ohio State University, 2008

• Rui Zhang, Feng Xiaogang and Chinese cinema after 1989, PhD, Ohio State University, 2005