Just a quick addendum to the previous post, regarding how some works by great directors can get buried on packaged DVD sets.
I was delving into the filmography of Andre de Toth and watching all his titles that were available on DVD (on Netflix specifically). When I had finished, I went through his filmography on the IMDB and clicked on each title I hadn’t heard of to learn about some of his other films. Lo and behold I stumbled upon two Andre de Toth-directed westerns on a Randolph Scott triple feature DVD set from no less than Warner Brothers: Man Behind the Gun/Thunder Over the Plains/Riding Shotgun. The first film is by Felix Feist, and the second two are by Andre de Toth. Since I had recently watched some excellent Andre de Toth-directed Randolph Scott westerns, this was quite an exciting find. (It’s not on Netflix, though, so I haven’t been able to watch them yet.) Warner Brothers also has one other Randolph Scott triple feature set: Colt .45/Tall Man Riding/Forth Worth; and two John Wayne triple feature sets: The Telegraph Trail/Somewhere in Sonora/The Man from Monterey and The Big Stampede/Ride Him Cowboy/Haunted Gold. There were no tremendously exciting surprises for me amongst the directing lineups of these sets.
In all the sets, browsing on Amazon did not yield the directors’ names. The only options were to check each title in IMDB individually or go to www.DVDEmpire.com, which allows you to view the back of a DVD case clearly enough to see directors’ names (although many sets won’t have that information there). Individual titles on IMDB do indicate if they are on DVD, although I’m not sure how reliably (perhaps a distributor may operate below IMDB’s radar or do a bad job of listing the contents of their package). In the case of these two Andre de Toth westerns, the IMDB link to the DVD was how I stumbled upon this set.
Just another revelation that there are some potential buried treasures out there on these packaged DVD sets. (Perhaps I’ll build up to a more meaningful post sometime soon!)
Saturday, 7 July 2007
More Digging
Just a quick addendum to the previous post, regarding how some works by great directors can get buried on packaged DVD sets.
I was delving into the filmography of Andre de Toth and watching all his titles that were available on DVD (on Netflix specifically). When I had finished, I went through his filmography on the IMDB and clicked on each title I hadn’t heard of to learn about some of his other films. Lo and behold I stumbled upon two Andre de Toth-directed westerns on a Randolph Scott triple feature DVD set from no less than Warner Brothers: Man Behind the Gun/Thunder Over the Plains/Riding Shotgun. The first film is by Felix Feist, and the second two are by Andre de Toth. Since I had recently watched some excellent Andre de Toth-directed Randolph Scott westerns, this was quite an exciting find. (It’s not on Netflix, though, so I haven’t been able to watch them yet.) Warner Brothers also has one other Randolph Scott triple feature set: Colt .45/Tall Man Riding/Forth Worth; and two John Wayne triple feature sets: The Telegraph Trail/Somewhere in Sonora/The Man from Monterey and The Big Stampede/Ride Him Cowboy/Haunted Gold. There were no tremendously exciting surprises for me amongst the directing lineups of these sets.
In all the sets, browsing on Amazon did not yield the directors’ names. The only options were to check each title in IMDB individually or go to www.DVDEmpire.com, which allows you to view the back of a DVD case clearly enough to see directors’ names (although many sets won’t have that information there). Individual titles on IMDB do indicate if they are on DVD, although I’m not sure how reliably (perhaps a distributor may operate below IMDB’s radar or do a bad job of listing the contents of their package). In the case of these two Andre de Toth westerns, the IMDB link to the DVD was how I stumbled upon this set.
Just another revelation that there are some potential buried treasures out there on these packaged DVD sets. (Perhaps I’ll build up to a more meaningful post sometime soon!)
I was delving into the filmography of Andre de Toth and watching all his titles that were available on DVD (on Netflix specifically). When I had finished, I went through his filmography on the IMDB and clicked on each title I hadn’t heard of to learn about some of his other films. Lo and behold I stumbled upon two Andre de Toth-directed westerns on a Randolph Scott triple feature DVD set from no less than Warner Brothers: Man Behind the Gun/Thunder Over the Plains/Riding Shotgun. The first film is by Felix Feist, and the second two are by Andre de Toth. Since I had recently watched some excellent Andre de Toth-directed Randolph Scott westerns, this was quite an exciting find. (It’s not on Netflix, though, so I haven’t been able to watch them yet.) Warner Brothers also has one other Randolph Scott triple feature set: Colt .45/Tall Man Riding/Forth Worth; and two John Wayne triple feature sets: The Telegraph Trail/Somewhere in Sonora/The Man from Monterey and The Big Stampede/Ride Him Cowboy/Haunted Gold. There were no tremendously exciting surprises for me amongst the directing lineups of these sets.
In all the sets, browsing on Amazon did not yield the directors’ names. The only options were to check each title in IMDB individually or go to www.DVDEmpire.com, which allows you to view the back of a DVD case clearly enough to see directors’ names (although many sets won’t have that information there). Individual titles on IMDB do indicate if they are on DVD, although I’m not sure how reliably (perhaps a distributor may operate below IMDB’s radar or do a bad job of listing the contents of their package). In the case of these two Andre de Toth westerns, the IMDB link to the DVD was how I stumbled upon this set.
Just another revelation that there are some potential buried treasures out there on these packaged DVD sets. (Perhaps I’ll build up to a more meaningful post sometime soon!)
Saturday, 9 June 2007
More Silent Films on DVD, Please
Well, that certainly was a feeble commitment! But now I'm back.
I've realized I have to set aside specific time for blog writing and will do so.
In the meantime, let me say I watched an excellent silent film by John Ford, called The Blue Eagle (1926).
Here is the fabulous original poster:
I was watching a VHS copy of an airing from an AMC Film Preservation Festival from way back when. Although a significant naval battle sequence is missing, and occasionally in early scenes a 16mm film print had to be used, this held up as a stunning example of top-drawer Ford. (All the more so when the scenes were in 35mm.)
With the recent success studios seem to be having in packaging films in box sets organized by stars (Robert Mitchum Signature Collection, Tyrone Power Swashbuckler Box Set) or themes (Film Noir Classics Collection, Literary Classics Collection), it would be amazing if they could start doing this for silent films. There are certainly enough surviving films to justify a John Ford silent film box set. I know more than enough exist just from the bunch that I taped off the AMC Film Preservation Festival. There is a Hitchcock box from Lionsgate with several silents, so the ball may already be rolling. However, I remember my disappointment upon listening to the audio commentary for Warner Brothers' DVD of The Racket (1951, John Cromwell) (part of the Film Noir Classic Colleciton Vol. 3) and hearing repeated references to the Howard Hughes silent original (1928, Lewis Milestone) that the commentator (Eddie Muller) had obviously had the good fortune to see! What a shame that wasn't shoehorned onto the same disk.
Shoehorning may be a stroke of luck for the more esoteric film enthusiasts, as studios can wedge films they consider unreleasable as standalone titles into combo sets with other more popular movies. I just had the good fortune to see the 1933 Mystery of the Wax Museum (Michael Curtiz) on the flip side of Warner's House of Wax (1953, Andre de Toth) DVD and, even though I know it did exist on VHS in the past, I couldn't help but think that I was very fortunate to even be laying eyes on this 2-strip Technicolor rarity, obviously included mainly because of its relation to the more famous remake.
I had similar feelings about the TCM/Warner Bros. DVD "Forbidden Hollywood Collection Volume One" that contained Baby Face (1933, Alfred E. Green), Red-headed Woman (1932, Jack Conway), and Waterloo Bridge (1931, James Whale). Probably the latter was the toughest standalone sell, having no bankable classic star. You can find your own examples, but one other I watched recently was the Cary Grant Screen Legend Collection from Universal which is comprised of five films that I couldn't see ever being released standalone, yet here they are presented in pretty good quality by a major studio. I bought this one and so far have only watched Thirty Day Princess (1934, Marion Gering), but I had the pervasive feeling that I was lucky to be seeing a Sylvia Sidney vehicle from her prime that was something other than Hitchcock's Sabotage or some of her Fritz Lang films.
Obviously there are still countless films of interest that they haven't figured a way to shoehorn into more salable packages or groupings, but the trend may be of help. (It goes without saying that, like the explosion of TV-on-DVD, the more manageable and more versatile DVD format itself makes this all possible.)
One of the few negatives is that when the films are not standalone releases, you sometimes have to dig or be looking for something specific, otherwise you only come across certain important films as a stroke of luck. (If you're a Raoul Walsh enthusiast, there's one of his in the Cary Grant Screen Legends Collection. There's a Douglas Sirk film in the Rock Hudson Screen Legend Collection.) Universal's Screen Legend Collections are particularly troublesome in that even on the back of the sets you can find neither the year the films came out, nor the directors. Even on Amazon.com or DVD Empire the information is not readily available, and one is reduced to researching the titles individually on IMDB.
But going back to the desire to see a John Ford silent film box set, and more silent films in general packaged together and released, one name that pops into my mind is John Gilbert, who would be well worth a silent film box set or two—or even three—since many of his silent films survive—and that's just counting the major star vehicles from his prime. Although I have a feeling if I poke my nose into one of the Garbo collections I'm going to find at least one Gilbert there.
I've realized I have to set aside specific time for blog writing and will do so.
In the meantime, let me say I watched an excellent silent film by John Ford, called The Blue Eagle (1926).
Here is the fabulous original poster:
I was watching a VHS copy of an airing from an AMC Film Preservation Festival from way back when. Although a significant naval battle sequence is missing, and occasionally in early scenes a 16mm film print had to be used, this held up as a stunning example of top-drawer Ford. (All the more so when the scenes were in 35mm.)
With the recent success studios seem to be having in packaging films in box sets organized by stars (Robert Mitchum Signature Collection, Tyrone Power Swashbuckler Box Set) or themes (Film Noir Classics Collection, Literary Classics Collection), it would be amazing if they could start doing this for silent films. There are certainly enough surviving films to justify a John Ford silent film box set. I know more than enough exist just from the bunch that I taped off the AMC Film Preservation Festival. There is a Hitchcock box from Lionsgate with several silents, so the ball may already be rolling. However, I remember my disappointment upon listening to the audio commentary for Warner Brothers' DVD of The Racket (1951, John Cromwell) (part of the Film Noir Classic Colleciton Vol. 3) and hearing repeated references to the Howard Hughes silent original (1928, Lewis Milestone) that the commentator (Eddie Muller) had obviously had the good fortune to see! What a shame that wasn't shoehorned onto the same disk.
Shoehorning may be a stroke of luck for the more esoteric film enthusiasts, as studios can wedge films they consider unreleasable as standalone titles into combo sets with other more popular movies. I just had the good fortune to see the 1933 Mystery of the Wax Museum (Michael Curtiz) on the flip side of Warner's House of Wax (1953, Andre de Toth) DVD and, even though I know it did exist on VHS in the past, I couldn't help but think that I was very fortunate to even be laying eyes on this 2-strip Technicolor rarity, obviously included mainly because of its relation to the more famous remake.
I had similar feelings about the TCM/Warner Bros. DVD "Forbidden Hollywood Collection Volume One" that contained Baby Face (1933, Alfred E. Green), Red-headed Woman (1932, Jack Conway), and Waterloo Bridge (1931, James Whale). Probably the latter was the toughest standalone sell, having no bankable classic star. You can find your own examples, but one other I watched recently was the Cary Grant Screen Legend Collection from Universal which is comprised of five films that I couldn't see ever being released standalone, yet here they are presented in pretty good quality by a major studio. I bought this one and so far have only watched Thirty Day Princess (1934, Marion Gering), but I had the pervasive feeling that I was lucky to be seeing a Sylvia Sidney vehicle from her prime that was something other than Hitchcock's Sabotage or some of her Fritz Lang films.
Obviously there are still countless films of interest that they haven't figured a way to shoehorn into more salable packages or groupings, but the trend may be of help. (It goes without saying that, like the explosion of TV-on-DVD, the more manageable and more versatile DVD format itself makes this all possible.)
One of the few negatives is that when the films are not standalone releases, you sometimes have to dig or be looking for something specific, otherwise you only come across certain important films as a stroke of luck. (If you're a Raoul Walsh enthusiast, there's one of his in the Cary Grant Screen Legends Collection. There's a Douglas Sirk film in the Rock Hudson Screen Legend Collection.) Universal's Screen Legend Collections are particularly troublesome in that even on the back of the sets you can find neither the year the films came out, nor the directors. Even on Amazon.com or DVD Empire the information is not readily available, and one is reduced to researching the titles individually on IMDB.
But going back to the desire to see a John Ford silent film box set, and more silent films in general packaged together and released, one name that pops into my mind is John Gilbert, who would be well worth a silent film box set or two—or even three—since many of his silent films survive—and that's just counting the major star vehicles from his prime. Although I have a feeling if I poke my nose into one of the Garbo collections I'm going to find at least one Gilbert there.
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