Film-Historia: Index to English language articles

Image from Offret/The Sacrifice (Andrei Tarkovsky, 1986). See "Images of War in Andrei Tarkovski's The Sacrifice: Four levels of meaning", by Gabriel Giralt, Film-Historia, No. 1, 1999

Over the years, Film Studies For Free has noticed that there were some excellent English-language articles on lots of different aspects of film history to be found at the (very difficult to navigate) website of the excellent Universitat de Barcelona-based film journal Film-Historia. 

Until today, however, there was no easy way to access all of these articles, but ...  (drum roll) ... ta-da! Cast your eyes at the awesome list of direct links below, and, if you feel so inclined, thank your lucky stars that FSFF's author needed some distraction from her country's general election shenanigans this morning.

• "Walker: the dramatic film as historical truth" by Robert A. Rosenstone, Film-Historia, No. 1, 1992
• "The Image of Mexican Heroes in American Films" by Paul J. Vanderwood, Film-Historia, No. 3, 1992
• "Absolved by History: On the Aesthetics and Ideology on History in the Cuban Film Institute" by John Mraz, Film-Historia, No. 3, 1993
• "The Historical Film is a Real History", by Robert A. Rosenstone, Film-Historia, No. 1, 1995
• "Social Roles/Political Responsabilities: Jean Renoir's Search for Artistic Integrity, 1928-1939" by Charles Musser, Film-Historia, No. 1, 1994
• "Hollywood, U.S.- Mexican Relations, and the Devolution of the "Golden Age" of Mexican Cinema" by Seth Fein, Film-Historia, No. 2, 1994
• "'We're just little people, Louis': Marie-Antoniette on Film" by Laura Mason, Film-Historia, No. 3, 1994
• "Against the Ivory Tower: An Apologia for 'Popular' Historical Documentaries" by Dirk Eitzen, Film-Historia, No. 1, 1995
• "Filming the "Discovery" of America: How and Whose History Is Being Told" by Luisela Alvaray, Film-Historia, No. 1, 1995
• "Film as Historical Narrative", by Hannu Salmi, Film-Historia, No. 1, 1995
• "The Politics of the Trilogy Form: Lucia, the Oresteia, and The Godfather", by Peter W. Rose, Film-Historia, No. 2-3, 1993
• "Who Killed Vincent Chin? (1988): Ethnicy and a Babble of Discourses", by Leslie Fishbein, Film-Historia, No. 2-3, 1995
• "Colonial History and Anglo-American tension in 1939: Allegheny Uprising and Drums along the Mohawk", by K. R. M. Short, Film-Historia, No. 1, 1996
• "Cinematic Contextual History of High Noon (1952, dir. Fred Zinnemann)", by J. M. Caparrós-Lera and Sergio Alegre, Film-Historia, No. 1, 1996
• "Spain in U.S.: cinematic relationship, 1939-1953", by Rafael de España, Film-Historia, No. 3, 1996
• "Mothering Daughters: Subjectivity and History in the Work of Helma Sanders Brahms's Germany Pale Mother" by Judith Keene, Film-Historia, No. 1, 1997
• "Paradise Found?: Ana/chronic Nostalgia in Belle Epoque", by Jose F. Colmeiro, Film-Historia, No. 2, 1997
• "Germany after Unification: Views from Abroad", by Roger Hillman, Film-Historia, No. 2, 1997
• "The Image of Ancient Rome in the Cinema", by Carl J. Mora, Film-Historia, No. 3, 1997
• "Coping Strategies: Three Decades of Vietnam War in Hollywood", by Eusebio V. Llácer and Esther Enjuto, Film-Historia, No. 1, 1998
• "The Royal Air Force: World War II Film Propaganda and The March of the Time", by K. R. M. Short, Film-Historia, No. 2-3, 1998
• "Oliver Stone's Nixon: Politics on the Edge of Darkness", by Ian Scott, Film-Historia, No. 1, 1999
• "Images of War in Andrei Tarkovski's. The Sacrifice: Four levels of meaning", by Gabriel Giralt, Film-Historia, No. 1, 1999
• "Playful Subversions: Hollywood Pirates Plunder Spanish America", by Nina Gerassi-Navarro, Film-Historia, No. 2, 1999
• "The Revolution is History: Filming the Past in Mexico and Cuba", by John Mraz, Film-Historia, No. 2, 1999
• "El día que me quieras: History, Mith and Che Guevara", by John Hess, Film-Historia, No. 2, 1999
• "Cantinfladas of the PRI: (Mis) Representations of Mexican Society and Democracy in the Films of Mario Moreno", by Jeffrey Pilcher, Film-Historia, No. 2, 1999
• "Los Hermanos Mayo: Photographing Exile", by John Mraz, Film-Historia, No. 1-2, 2000 
• "Cut from Anglophilia to Anglophobia. Hollywood's Changing Perceptions of the British" by Carl J. Mora, Film-Historia, No. 1-2, 2001
• "In search of reality through dreams: Alejandro Amenabar's Abre los ojos", by Marina Martin, Film-Historia, No. 1-2, 2002
• "The ideological meaning behind Greta Garbo's star image", by Alan McLane, Film-Historia, No. 1, 2003
• "Poor Mexican cinema, So far from Cahiers du Cinema, so close to Latino U.S.A.: A Cantankerous Essay", by Carl J. Mora, Film-Historia, No. 1, 2003
• "The War, the Air Force and the Search for Realist Cinema in Britain, 1941-1942", by Michael Paris, Film-Historia, No. 1, 2003
• The Spanish Film Industry, New Technologies, New Opportunities", by Lauren Kogen, Film-Historia, No. 1, 2006
• "The Fatherless Society: Die Blechtrommel (Tin Drum)", by Xuejuen Guo, Film-Historia, No. 1, 2007