Le Génie de la liberté: In Memory of Claude Chabrol

Video Essay by Catherine Grant on Les Bonnes femmes (Claude Chabrol, 1960)

Video essay by Kevin B Lee (Shooting Down Pictures) featuring Dan Sallitt (Thanks for the Use of the Hall) on Le boucher (1970) and La Femme infidèle (1969) by Claude Chabrol.

Film Studies For Free was very sad to hear this morning of the death at the age of 80 of French film-maker Claude Chabrol, one of the true giants of world cinema.

David Hudson is gathering links to online tributes to the filmmaker. Below, FSFF has assembled an (updated/expanded) list of links to online and freely accessible studies of Chabrol's magnificent cinematic legacy.

• Acquarello, 'CLAUDE CHABROL: Le Boucher, The Story of Women, La Ceremonie, The Flower of Evil, The Bridesmaid, Bellamy', Strictly Film School, 2002
• Richard Armstrong, 'Claude Chabrol,' (Great Directors: A Critical Database) Senses of Cinema, September 2002
• David Cairns, 'Go Ask Alice', Shadowplay, August 8, 2008
• Claudette Charbonneau and Lucy Winer, 'Violette: Skilled, delicate, pernicious', from Jump Cut, no. 21, Nov. 1979, pp. 6-7
• John Conomos, 'Les Cousins', Senses of Cinema, Issue 37, 2005
• Charles Derry, 'Claude Chabrol: A career overview', The Claude Chabrol Project
• dkaz, 'image series: Les Biches (Chabrol, France, 1968)', D+Kaz, Jan 29, 2007
• Mary Donaldson-Evans, 'A Medium of Exchange: The Madame Bovary film', Dix-Neuf, No. 4, April 2005
• Christine Evans, 'I Fought the Law and the Law Won: Transgression, the Act, and Narratives of Aphanisis in Claude Chabrol’s Story of Women', Refractory, July 4, 2006
• Catherine Grant, 'Unsentimental Education: On Claude Chabrol's Les Bonnes femmes - a video essay', Film Studies For Free, June 30, 2009
• Stefan Gullatz, 'Exquisite Ex-timacy: Jacques Lacan vis-à-vis Contemporary Horror', Offscreen Journal, March 31, 2001
• Dan Harper, 'Claude Chabrol's Le Beau Serge', Senses of Cinema, March 2001
• David Hudson, 'Chabrol @ 80', The Daily Notebook, June 24, 2010 
• Richard Jameson, 'Claude Chabrol – The Classicist', Parallax View, June 24, 2009
• Robert Kolker, The Altering Eye - Contemporary International Cinema (OUP, 1983) in: eLib, Hg. v. eLibrary Projekt, in: elib.at ( 16. Juni 2009 ) - numerous mentions of Chabrol - use 'find' in 'Edit'
• Julien Lapointe, 'La Cérémonie,' Senses of Cinema 13, 2001 Apr-May
• Kevin B Lee, 'Claude Chabrol: an online dossier', Shooting Down Pictures, March 27, 2008
• Peter Lev, 'Paul Gégauff', FilmReference.com, 2008
• Michel Marie and Richard Neupert, 'Chapter One: A Journalistic Slogan and a New Generation ', The French New Wave: An Artistic School (Oxford: Blackwell/Wiley-Interscience, 2008)
• Tony McKibbin, 'Slow Burn Suspense: The Films of Claude Chabrol', Images, Issue 9, December 2000
• Vladislav Mijic, 'Les Biches,' Senses of Cinema 13, 2001 Apr-May
• Gary Morris, 'Chabrol, Losey, Antonioni: Three Classic Eurofilms: Les Bonnes Femmes, Eva, Il Grido', Bright Lights Film Journal, Issue 31, 2010 
• Katja Nicodemus, 'Arming Isabelle', SignandSight, August 7, 2006
• Marie-Claire Ropars, 'A Cinematic Language', Rouge 11, 2007
• Jonathan Rosenbaum, 'French Provincial [POULET AU VINAIGRE]', JonathanRosenbaum.com, originally published in Chicago Reader, May 29, 1989
• Dan Sallitt/Kevin B Lee, 'Two Films By Claude Chabrol (Le boucher (1970) and La femme infidele (1969)) - 3 video essays', Shooting Down Pictures, March 27, 2008
• Andrew Slade, 'Chabrol for Beginners (and Other Interested Parties)', Film-Philosophy, Vol. 5, No. 3, January 2001
• David Sterritt, 'Hitchcock, Hume, and the Matrix of Modern Cinema', Film-Philosophy, Vol. 11, No. 3, 2007
• Quentin Turnour, 'Que la bête meure', Senses of Cinema, March 2001
• Tony Williams, 'Relations Between the Sexes in the Cinema of the Nouvelle Vague', WELL Project, February 28, 2002
• Ray Young, 'Stéphane Audran', Cinema and the Female Star - A Symposium Part 1, Senses of Cinema, 2002
• Ray Young,  Claude Chabrol Project 
• Ray Young, 'Ten Days’ Wonder: The Claude Chabrol Blogathon', June 21-30, 2009

Video Essay 1: On Claude Chabrol's Les Bonnes femmes

Mystery Man in Les Bonnes femmes (1960)

It's a really B I G D A Y here at Film Studies For Free. But do, please, be gentle...

This posting brings you the first ever little video essay about a film studies topic (in this case, a single film) produced by this blog's author: Unsentimental Education: On Claude Chabrol's Les Bonnes femmes.

The exercise probably only shows that there's a mighty long way to go with this format for this author before anything near full proficiency in it can be claimed (for example, the voiceover commentary would have sounded a lot better had the person delivering it not been quite so nervous/terrified during the recording). But it's a good enough beginning for what FSFF sincerely hopes will go on to be a regular, if occasional, feature.

The essay has been produced, as previously promised, to coincide with, and thus to contribute to, the final day of the wonderful Chabrol blogathon hosted by Flickhead's blog (see HERE for a list of all the fantastic contributions, so far, to the event).

Some supplementary material about this strange, beguiling film Les Bonnes femmes/The Good Time Girls (France/Italy, 1960, directed by Chabrol), together with a link to a full transcript of the video essay's commentary and some pedagogical and critical reflections on the process of making it, wlll be added to this post as soon as possible. So, do please come back for that. (Updated July 8, 2009: transcript accessible HERE).

But, time was of the essence to join in with the blogathon. So all else can wait. Here below, then, is the essay, archived at FSFF's new supplementary site, for related videos, at Vimeo. It contains a few significant plot spoilers (as few as possible...). Also, please note that, for the purposes of its critical-scholarly analysis and commentary, the essay transforms many of the original elements of the film that it 'quotes', employing newly created still images (and new sounds), slowed motion, and quite heavy (at times) re-editing (including reordering) of image and sound/music.

In other words, you must see the original film, if you haven't done so already. Les Bonnes femmes is currently available on DVD thanks to Kino Video (Region 1 only). It can be ordered from that company's website HERE, or from Amazon.com HERE

Going the distance with Claude Chabrol

Film Studies For Free is rather partial to a good film blogathon and there's potentially a very good one coming up that FSFF readers absolutely must check out. In honour of Claude Chabrol's 79th birthday this June 24, Flickhead aka Ray Young is hosting Ten Days’ Wonder: The Claude Chabrol Blogathon from Sunday, June 21 through Tuesday, June 30.

To paraphrase the kind of clichéd British crime drama dialogue in which the classy Chabrol himself would never indulge, Young has 'plenty of previous' when it comes to the films of this near octogenarian: he is the author of the Claude Chabrol Project website which, among other great resources, hosts detailed interviews with and articles about Chabrol.

The Flickhead blogathon is sure to link to further comprehensive web resources on Chabrol, so below, just to flag up the e-event, is Film Studies For Free's little list of links to online scholarly highlights pertaining to this as yet most under-studied great director.

Film Studies For Free's author is aiming to join in with the Chabrol fest next week, so... à bientôt (s'il vous plaît...). [The link to FSFF's video essay - 'Unsentimental Education: On Claude Chabrol's Les Bonnes femmes' is HERE.]

• Acquarello, 'CLAUDE CHABROL: Le Boucher, The Story of Women, La Ceremonie, The Flower of Evil, The Bridesmaid, Bellamy', Strictly Film School, 2002
• Richard Armstrong, 'Claude Chabrol,' (Great Directors: A Critical Database) Senses of Cinema, September 2002
• David Cairns, 'Go Ask Alice', Shadowplay, August 8, 2008
  
• Claudette Charbonneau and Lucy Winer, 'Violette: Skilled, delicate, pernicious', from Jump Cut, no. 21, Nov. 1979, pp. 6-7
• Charles Derry, 'Claude Chabrol: A career overview', The Claude Chabrol Project
• dkaz, 'image series: Les Biches (Chabrol, France, 1968)', D+Kaz, Jan 29, 2007
• Mary Donaldson-Evans, 'A Medium of Exchange: The Madame Bovary film', Dix-Neuf, No. 4, April 2005
• Catherine Grant, 'Unsentimental Education: On Claude Chabrol's Les Bonnes femmes - a video essay', Film Studies For Free, June 30, 2009
  
• Stefan Gullatz, 'Exquisite Ex-timacy: Jacques Lacan vis-à-vis Contemporary Horror', Offscreen Journal, March 31, 2001
• Dan Harper, 'Claude Chabrol's Le Beau Serge', Senses of Cinema, March 2001
• Robert Kolker, The Altering Eye - Contemporary International Cinema (OUP, 1983) in: eLib, Hg. v. eLibrary Projekt, in: elib.at ( 16. Juni 2009 ) - numerous mentions of Chabrol - use 'find' in 'Edit'
• Julien Lapointe, 'La Cérémonie,' Senses of Cinema 13, 2001 Apr-May
• Kevin B Lee, 'Claude Chabrol: an online dossier', Shooting Down Pictures, March 27, 2008
• Peter Lev, 'Paul Gégauff', FilmReference.com, 2008
  
• Tony McKibbin, 'Slow Burn Suspense: The Films of Claude Chabrol', Images, Issue 9, December 2000
• Vladislav Mijic, 'Les Biches,' Senses of Cinema 13, 2001 Apr-May
• Marie-Claire Ropars, 'A Cinematic Language', Rouge 11, 2007
• Dan Sallitt/Kevin B Lee, 'Two Films By Claude Chabrol (Le boucher (1970) and La femme infidele (1969)) - 3 video essays', Shooting Down Pictures, March 27, 2008
• Andrew Slade, 'Chabrol for Beginners (and Other Interested Parties)', Film-Philosophy, Vol. 5, No. 3, January 2001
• David Sterritt, 'Hitchcock, Hume, and the Matrix of Modern Cinema', Film-Philosophy, Vol. 11, No. 3, 2007
• Quentin Turnour, 'Que la bête meure', Senses of Cinema, March 2001
• Tony Williams, 'Relations Between the Sexes in the Cinema of the Nouvelle Vague', WELL Project, February 28, 2002
• Ray Young, 'Stéphane Audran', Cinema and the Female Star - A Symposium Part 1, Senses of Cinema, 2002

Online Film Audio-Commentaries and Video Essays Of Note

Susana Medina, Buñuel’s Philosophical Toys

(Creative Commons license: Attribution-Noncommercial-No Derivative Works 3.0 )

In Film Studies For Free's humble opinion, one of the most exciting online areas for potential Film Studies' development is rapidly emerging from the already hugely popular Web 2.0 practice of video-sharing. It has never been easier to publically display work in which moving (and still) image-tracks, created by others, can be 'overlaid' with one's own recorded words/sounds/text, to create web 'video-essays' or online 'audio-commentaries'.

The practical/technical side of this activity should provide few challenges for the YouTube generation: the main issue to consider in relation to the educational uses of such 'user-generated' resources is, as ever, that of the quality of content. But there are plenty of noteworthy models around, from which Film Studies teachers and students can gain insight and inspiration, such as Susana Medina's excellent video essay on fetishism in the work of Luis Buñuel, embedded above (and also available on MySpace and at the Internet Archive).

To celebrate these developments, and to support them in a small way, Film Studies For Free has created a new (right-hand margin) list of links to freely accessible online audio commentaries, video essays, and 'alternative' DVD commentaries. The list currently links to the following websites: Shooting Down Pictures; Susana Medina, 'Buñuel’s Philosophical Toys'; Listology List of Best Fan Commentaries (until 2005); Sean Weitner and Andy Ross on Mulholland Drive; Whiggles.com on Suspiria and Profondo Rosso; and Renegade Commentaries. Suggestions of other websites or items of this kind are, as ever, warmly welcomed.

By far the richest website resource in this area, to date, is the one at the head of FSFF's current list: Kevin B. Lee's fabulous Shooting Down Pictures. As GreenCine Daily rightfully testified back in July 2008 (when Film Studies For Free was barely a twinkle in this neophyte blogger's eye): 'For some time now, Kevin B Lee's video essays have been among the most exciting developments in film blogging, suggesting not an alternative but supplemental form of film criticism accessible to anyone online.'

Lee is a filmmaker and multimedia producer based in New York City. Shooting Down Pictures primarily serves as a repository for a wide variety of materials connected with his project of viewing every film on the list of 1000 greatest films of all time, as compiled by They Shoot Pictures, Don’t They? Rather than simply writing about, or gathering pre-existing resources together for these films -- both of which Lee does brilliantly, it must be said -- he also makes video essays about them and commissions others to provide their own audio commentaries, including ones by such luminaries as Nicole Brenez, Jonathan Rosenbaum, Paolo Cherchi Usai, Richard Brody, Karina Longworth, Andy Horbal, Mike D'Angelo, Matt Zoller Seitz, Preston Miller, Vadim Rizov, and Girish Shambu.

The current full list of video essays by Shooting Down Pictures is given below, but also check out the video index Lee maintains at YouTube where these and many other videos by him, or fabulously 'mashed up' by him, are hosted.

• Alexander
• …And God Created Woman
• America, America
• And the Ship Sails On (feat. Michael Joshua Rowin)
• Aranyer Din Ratri / Days and Nights in the Forest (1970, Satyajit Ray) - featuring Preston Miller
• Born on the Fourth of July (feat. Matt Zoller Seitz)
• Burnt by the Sun (feat. Andy Horbal)
• Dames
• Duel
• El Cid (1961, Anthony Mann) with Mike D’Angelo
• Evil Dead II
• Grey Gardens (1975, Albert and David Maysles, Ellen Hovde, Muffie Meyer) with commentary by Vadim Rizov
• Hour of the Star/A Hora da Estrela
• Il Posto (feat. Keith Uhlich)
• Inferno
• JFK
• La femme infidele feat. Dan Sallitt
• La Haine
• Le boucher feat. Dan Sallitt
• Louisiana Story
• Nicht versöhnt oder Es hilft nur Gewalt wo Gewalt herrscht / Not Reconciled or Only Violence Helps Where it Rules (1965, Jean-Marie Straub) featuring commentary by Richard Brody
• Nixon (feat. Matt Zoller Seitz)
• Pat Garrett and Billy the Kid
• Peter Ibbetson
• Sugar Cane Alley
• The Draughtsman’s Contract (1982, Peter Greenaway) with Karina Longworth
• The Heiress (feat. Cindi Rowell)
• The Saragossa Manuscript
• The Sun Shines Bright (1956, John Ford) featuring Jonathan Rosenbaum
• The Vanishing
• "The Wire and the Art of the Credits Sequence” video essays on the Moving Image Source (Watch Part One; Watch Part Two - feat. Matt Zoller Seitz and Andrew Dignan)
• They Died with Their Boots On (feat. Matt Zoller Seitz)
• Tobacco Road
• Un coeur en hiver / A Heart in Winter (1991, Claude Sautet) with Mike D’Angelo
• Unfaithfully Yours
• U samogo sinyego morya / By the Bluest of Seas (1936, Boris Barnet) featuring commentary by Nicole Brenez
• While the City Sleeps
• Woman in the Window (feat. Girish Shambu)

After a recent flurry of literally feverish activity, Film Studies For Free is going to take a richly-deserved, two-week break so that its cold-ridden author can become fully healthy once more, and go off to deliver a talk on her own work (which is not totally unconnected to the focus of today's blog post, as it happens). In the meantime, FSFF leaves you with a little video essay by Lee and Dan Sallitt on another of this blog's favourite filmmakers (alongside Buñuel), Claude Chabrol. Adieu, pour le moment...