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Showing posts with label Krzysztof Kieślowski. Show all posts
Showing posts with label Krzysztof Kieślowski. Show all posts

Thursday, 22 October 2009

Film International for free - Lynch, Kieślowśki, Gomorrah, Brokeback Mountain, Tearoom, and Caché


Still from Tearoom (William E Jones, 1962/2007)

A very busy Film Studies For Free has just got round to reading yet another of Intellect's freely accessible journal issues: Film International (Volume: 7 | Issue: 1 February 2009). This was an excellent, highly stimulating read indeed. Below are links to all the main articles. FSFF particularly enjoyed the essays by Orr, Supanick, Sharrett and Ogrodnik.

  • 'McMafia rising [on Gomorrah, the Camorra, Roberto Saviano, deregulation, free trade, Naples, Italy, Matteo Garrone]' Rajko Radovic
  • 'Last Year at Mansfield: William E. Jones's Tearoom' Jim Supanick
  • 'Death of the Strong, Silent Type: The Achievement of Brokeback Mountain' Christopher Sharrett
  • 'A Cinema of Parallel Worlds Lynch & Kieślowśki + Inland Empire' John Orr
  • 'Performative Radicalism in contemporary Canadian documentary film' William Anselmi and Sheena Wilson
  • 'Deep Cuts [on Haneke's Caché, colonialism, distanciation, politics & media]' Benjamin Ogrodnik
Posted by purnawan at 06:09 0 comments
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Labels: Alain Resnais, Canadian Cinema, David Lynch, documentary filmmaking, gay films, Italian Cinema, Krzysztof Kieślowski, Michael Haneke, queer films
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